该赌场由意大利石匠按照三位建筑师(George Sterian、H. Rick 和 Nicolae Ghica-Budeşti)的计划建造,建于 1892 年至 1894 年,因此是罗马尼亚第一家赌场。紧随其后的是 Vatra Dornei(1898 年)、Constanța(1910 年)和 Sinaia(1912 年)的赌场,这些都是卡罗尔一世国王按照国外更著名的模式发展罗马尼亚度假村的战略的一部分(斯勒尼克-摩尔多瓦在时间到了卡罗维发利和维希,其矿泉水在巴黎、法兰克福、维也纳的国际展览会上获奖)。
虽然它不是纯粹的新艺术运动的例子,但斯勒尼克-摩尔多瓦的赌场设法将这种动态和实用的风格与其他潮流的原则相结合,并取得了令人惊讶的结果。装饰石元素和门窗框架来自世俗的新罗马尼亚,但塔楼是东方宗教建筑。其他元素让人想起新文艺复兴时期的对应 - 例如构图的对称性和彩绘装饰面板。
建筑在UG + GF + 1F上水平布置,遵循完美对称的规则 - 主楼由两座塔楼守卫,与另外两座低层建筑相连,有盖走廊作为露台;长排以两个亭子结束,通过圆形屋顶恢复主塔的想法。
远远望去,赌场就像一座坐落在山坡上的城堡,略带浪漫、宁静的轮廓,黄昏时分隐约的诗意笼罩着它。秋天,远处的森林给它一点叶子的赤褐色,冬天把它全部穿成白色。然而,从正面看,它显然是一座致力于社区生活的建筑——拱形柱子的平台和巨大的石梯毫无疑问,正如其脚下美丽的中央公园的位置也不否认这一点。
数十年听着骰子的声音、旋转的轮盘赌和法国的 Les jeux sont faits, rien ne va plus,见证了财富的产生和婚姻的解体,赌场于 1948 年成为一个好公民,作为一个文化之家,然后是表演厅、市图书馆、美术馆等公共功能。电影院在原来的大厅里运作,有 350 个座位,今天它的两种颜色让我们惊叹不已——白色的墙壁装饰着 ton sur ton 木制品,以及天鹅绒般的椅子和窗帘的琥珀色。大厅仍然是一颗宝石,它的贝壳小屋、花边拱门和一盏枝形吊灯,不幸的是不是原来的,安装在一个装饰着金属刺绣玻璃天窗的华丽天花板上。
随着时间的推移,该建筑自 1960 年以来又增加了两个露台、一个小酒馆和一个寄宿公寓,并在 1980 年代和 1994 年代和 1994 年代进行了翻新和修复工作。在外面,路灯以典型的新艺术运动语言守护着这座建筑——带有金色装饰的黑色锻铁和像花蕾一样的白色玻璃灯泡。由于壮观的建筑工程和修复工程,今天的赌场显得生机勃勃、生机勃勃、充满活力、大胆而不像当时的许多其他历史古迹那样陈旧或昏昏欲睡。
今天,赌场正在寻找其有远见的所有者,他将利用其旅游潜力并回馈其在 19 世纪初将其定位为斯勒尼克-摩尔多瓦及其他地区的象征的生活乐趣。
地区景点: - 内米拉滑雪场 - 山路和远足 - 三百步、乌祖鲁伊山谷、内米拉马雷等 - 来自 Târgu Ocna 的盐矿 - Măgura Ocnei 修道院 - Valea Uzului 大坝
照片:都铎·普里萨鲁
Built by Italian stonemasons following the plans of three architects (George Sterian, H. Rick and Nicolae Ghica-Budești), the casino was erected in 1892-1894, thus being the first casino in Romania. It was quickly followed by casinos in Vatra Dornei (1898), Constanța (1910) and Sinaia (1912), all part of King Carol I's strategy to develop Romanian resorts after the model of more famous ones abroad (Slănic-Moldova was compared at the time to Karlovy Vary and Vichy, its mineral springs being awarded at international exhibitions in Paris, Frankfurt, Vienna).
Although it is not an example of pure Art Nouveau, the casino in Slănic-Moldova manages to combine this dynamic and functional style with principles from other currents with surprising results. The decorative stone elements and the door and window frames come from the secular Neo-Romanian, but the towers are of Eastern religious architecture. Other elements are reminiscent of Neo-Renaissance correspondences - for example the symmetry of the composition and the painted decorative panels.
The construction is arranged horizontally on UG + GF + 1F following the rules of perfect symmetry - a main building guarded by two towers connected to two other lower-rise buildings with covered corridors that function as terraces; the long row finishes with two pavilions that resume through the round roofs the idea of the main towers.
Seen from a distance, the casino resembles a castle perched on a hillside, a slightly romantic, peaceful profile, with a discreet poetry enveloping it at dusk. In autumn, the forest in the distance lends it a bit of its leave’s auburne, winter dresses it all in white. However, from the front, it is obviously a building dedicated to community life - the platform with arched columns and a monumental stone staircase leaves no room for doubt, just as its location with the beautiful central park at the foot does not deny this either.
After decades of listening to the sound of dice, spinning roulette and French Les jeux sont faits, rien ne va plus, witnessing the making of fortunes and the dissolution of marriages, the casino became a good citizen in 1948, functioning as a House of Culture, then performance hall, city library, art gallery and other public functions. The cinema functioned in the original hall with 350 seats, which today amazes us with its two colors - the white of the walls decorated with ton sur ton woodwork and the amber of the velvety chairs and curtains. The hall is still a jewel with its shell-based lodges, lacy arches and a chandelier, unfortunately not the original one, mounted on a rich ceiling decorated with a glass skylight captive in metal embroidery.
Over time, the building has received two more terraces, a brasserie and a boarding house since 1960, and has undergone renovation and restoration work in the 1980s and 1994s and 1994s. Outside, street lamps guard the building in the typical Art Nouveau language - black wrought iron with gold accents and white glass bulbs like flower buds. Thanks to the spectacular architectural project and restoration works, the casino appears today vibrant, lively, dynamic, bold and not old or lethargic like, unfortunately, many other historical monuments of the time.
Today, the casino is looking for its visionary owner who will exploit its tourist potential and give it back that joie de vivre that positioned it at the beginning of the 19th century as a symbol of Slănic-Moldova and beyond.
Area attractions: - Nemira ski slope - mountain trails and hikes - Three hundred steps, Uzului Valley, Nemira Mare, etc. - salt mine from Târgu Ocna - Măgura Ocnei monastery - Valea Uzului dam
Photo: Tudor Prisecaru
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